sort of… nothing intentional, but, between space invaders and movie choices, we faced linux’s little penguin on the screen.
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Marginalia+Lab participates, between june 7th and 11h, of LABtoLAB, international medialab encounter organized by Medialab-Prado in Spain.
Marginalia Project’s team – Aline X, André Mintz and Pedro Veneroso – is in Madrid to participate in the event, in a trip that is supported by the Ministry of Culture of Brazil, through its Interchange and Cultural Diffusion Program. This post is the first of a series that will cover this event that promotes that promotes the encounter of many different labs of Europe and Latin America for the discussion and sharing of medialab experiences in these places.
In photography the technique of light painting consists in drawing with a light source by keeping the shutter opened for a long period. By doing so one is able to doodle with light, create manipulations, merge objects and landscapes without the need for post-production techniques. The technique was extensively used by the surrealists and regained strength recently as one form of experimental photography [take a look at some Flickr groups dedicated to this technique].
In this context the term Light Art Performance Photography was coined referring to photographs that originate on performances that take place between the opening and closing of the shutter resulting on a single shot that registers this brief period in which a sensor or film is exposed to light.
“Lapp is descended from light drawing and has been developed into its own art form. Lapp, as the evolution of light drawing, is complemented with additional elements in form of light figures, colors and light forms to create such a special view of the general view.”
A strange story from Japan: a particular train line had a higher suicide rate than other train lines. A music specialist found out the that the alarming departure sound of the train psychologically affected people, creating despair or uneasiness. So the train company changed the sound in some stations.
Part of the series re-design soundscape, the Musical Kettle by Yuri Suzuki plays your favorite tunes when the water boils, discussing noise produced in domestic environments through the “re-design” of apparatuses used in this context thus inserting extraordinary elements that alter the soundscape creating tension in the relationship between humans and sounds.
Azucrina collective, from Belo Horizonte, is organizing, between October 2nd and 4th, the event Interferência – mini-circuito Azucrina Noise, dedicated to experimental music and noise, with performances and workshops, among other activities.
By initiative of integrants of the collective that are participating at the workshop “Introduction to Gambiologic Studies I”, that is being held by Marginalia+Lab with Gambiologia Project, Interferência’s first day will feature the performance of the Gambionalia Orchestra, formed by the many sonic gambiarras, created in the environment of the workshop.
workshop "introduction to programming with processing"
We finished, at last, the processing workshop, with the participation of over 20 people interested in the possibilities open by programming to the creative and artistic practice. Through 5 meetings, the basic structures of code were presented, introducing the participants to the usual practice of tests and fights with logic and syntax, in an communication attempt, eventually successful, between people and machines.
Submissions for the Tiny Sketch – 200 Character Processing Competition are opened until September, 13, 2009. Rhizome and openProcessing co-present the event.
The tweet-size code writing challenge is opened to artists and programmers and consists of creating the most compelling creative work with the open-source programming language Processing using no more than 200 characters. The winner will be determined by Rhizome’s members through an open vote and will be awarded a prize of 200USD.
Marginalia Project has developed two sketches for the competition – too much room and walk away – both of which exploring the possibilities of user interaction mediated by the manipulation of a mouse and, on a lesser degree, a keyboard. While the first allows the user to draw with a set of ellipses of variable sizes, the second presents a set of lines oriented in accordance to the cursor, thus always pointing towards it.
For more information and to see the sketches submitted so far go directly to the website openProcessing.
A simple and curious example that joins mathmatical experiment and a challenging aesthetical proposal , the music box by Ranjit Bhatnagar uses the Moebius strip to loop a melody excerpt. Moebius strip is an object that was named after one of its researchers, August Ferdinand Möbius, and it has the peculiarity of being a one-sided surface, allowing one to go through its whole extension continously without ever stopping to touch it.
In this inventive proposal for the creation of a continous loop, there is a particular characteristic: after being played the first time, the excerpt is repeated with an inverted scale (upside-down), than going back to the original scale, and so forth, creating an interesting composing challenge.
Make Magazine, published by O’Reilly (the same that is responsible for various books in the field of programming and technology), keeps its blog in which, among several posts, emerge interesting creations of DIY (do it yourself) culture, with homemade and accessible solutions for functional or purely aesthetical proposals. This music box came to us in this context.
In contrast to the title of the previous post, we thought it would be curious to mention a short presentation text of Make: Online:
Void your warranty, violate a user agreement, fry a circuit, blow a fuse, poke an eye out. Make: The risk-takers, the doers, the makers of things… Welcome to Make: Online!
Overcoming all of the previous stages of the project’s realization – including the apprehension of taking all the risks implied – Marginalia+Lab has its great beginning this August, with the organization of the second workshop and the open call for projects to participate in the collaborative experimentation lab.
The success of the first workshop, that seems to be repeating itself in this second occasion – with ourselves, from Marginalia Project, opening our experiments and acquired knowledge with Processing to a group of interested people – makes us realize that the project already shows some of its good calls.
With a lot yet to be done, some adjustments may be necessary along the way – nothing more expected in the first edition of the project. Therefore, with this spirit, we open this space for the metarecord of the project – open to the documentation of the process itself as well as to related digressions.
“We don’t exchange soldered componentes”: small alert stamped to the receipt of one of many electronic component stores of Carijós Street, in Belo Horizonte, Brazil.
